A 版画面提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the sole passenger in the frame; follow the appearance and wardrobe given in <Subject 2>. The script specifies only that he wears black-rimmed glasses.
<Subject 3> is the pair of black-rimmed glasses; follow the appearance given in <Subject 3>. He wears them throughout this unit and never removes them.
<Subject 4> is the first-class cabin of flight CA984; follow the layout and lighting given in <Subject 4>. The script specifies daytime high-altitude cruise, cool white overhead lighting, daylight outside the window, and an empty adjacent seat.
summary:
[reference generation] A ten-second two-shot unit in the first-class cabin of flight CA984. <Subject 2> turns his head from the window back to center in silence, then settles upright with his eyes raised and a faint closed-lip smile held on the final frame.
retention_analysis:
<Subject 1> ([Shot 1] opening state): partially_preserved - only the existing character's seated posture, head angle toward the window, lowered eyelids, closed lips, right thumb resting on the armrest leather, left hand on the opposite armrest, and the empty adjacent seat are carried forward as the opening state.
<Subject 2> (appears in [Shot 1], [Shot 2]): fully_preserved - his appearance and wardrobe follow the reference without modification.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - the black-rimmed glasses remain worn throughout and are never removed.
<Subject 4> (appears in [Shot 1], [Shot 2]): fully_preserved - the cabin layout, seat arrangement, cool white overhead lighting, daylight at the window, and empty adjacent seat are retained.
detailed_description:
The target video is live-action and cinematic, with cool white cabin lighting and a soft daylight edge from the window.
[Shot 1] An 85mm-equivalent medium-close profile of <Subject 2> in the first-class cabin of <Subject 4>, the camera positioned about forty-five degrees off his right front at eye level, framing him from the chest up on the right of frame with eyeline space toward the window on the left. High-altitude daylight from the window traces a soft rim along his cheek and the edge of the lenses of <Subject 3>, while the cabin depth behind him falls into shallow cool-white defocus. The camera holds completely static. For the first eight tenths of a second he remains exactly as established: profile toward the window, eyelids lowered, lips closed with no smile, right thumb motionless on the armrest leather, left hand on the opposite armrest, torso reclined. He then draws a shallow, nearly silent nasal breath and his chest lifts once, very slightly. Through the following three seconds his lips stay completely closed, with no speaking shape and no preparation to speak; from just after the breath his head rotates extremely slowly away from the window toward center, reaching a three-quarter front profile by the four-second mark, with no other movement, steady breathing, and his eyelids still lowered. In the remaining seconds his eyelids begin to lift, his right thumb leaves the leather, and his palm settles flat on the armrest.
[Shot 2] At 00:05.400, on the instant his head arrives near center and his eyelids lift, the shot cuts to a 50mm-equivalent frontal close shot, the camera directly in front of him at eye level, framing him from the shoulder line up, centered. Cool white overhead light falls across his forehead and the lenses of <Subject 3>, while window daylight enters from frame left and lays a soft edge along his left cheek; the forward cabin depth stays defocused. The camera remains static. He completes the last few degrees of the turn, presses his back flat against the seat and sits upright, his shoulder line levels, and both hands settle flat on the armrests. His eyelids open fully and his gaze comes to rest level on the seatback ahead of him, with one small refocusing settle in the pupils, as though confirming a matter already arranged and only waiting to land. His breath loosens first, then a very faint smile rises at the corners of his mouth; the lips stay closed and the smile reaches only the mouth corners and lower eyelids without spreading. That faint smile is held through the final seconds with no further movement and his gaze never leaves the seatback, ending on a stable frontal seated pose.
overall_soundscape:
A low-frequency air-conditioning hum and the steady airflow of level cruise continue without variation throughout. One extremely light nasal inhale occurs in the first second, and a faint fabric scrape against the seat accompanies him sitting upright. No voice of any kind is heard in this unit, and no passenger conversation, announcements, or footsteps are present.
non_diegetic_music:
N/A
B 版独白提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the sole passenger in the frame; follow the appearance and wardrobe given in <Subject 2>. The script specifies only that he wears black-rimmed glasses.
<Subject 3> is the pair of black-rimmed glasses; follow the appearance given in <Subject 3>. He wears them throughout this unit and never removes them.
<Subject 4> is the first-class cabin of flight CA984; follow the layout and lighting given in <Subject 4>. The script specifies daytime high-altitude cruise, cool white overhead lighting, daylight outside the window, and an empty adjacent seat.
summary:
[reference generation] A ten-second two-shot unit in the first-class cabin of flight CA984. <Subject 2> turns his head from the window back to center while an off-screen interior monologue states the arrangement his money bought, then settles upright with his eyes raised and a faint closed-lip smile held on the final frame.
retention_analysis:
<Subject 1> ([Shot 1] opening state): partially_preserved - only the existing character's seated posture, head angle toward the window, lowered eyelids, closed lips, right thumb resting on the armrest leather, left hand on the opposite armrest, and the empty adjacent seat are carried forward as the opening state.
<Subject 2> (appears in [Shot 1], [Shot 2]): fully_preserved - his appearance and wardrobe follow the reference without modification.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - the black-rimmed glasses remain worn throughout and are never removed.
<Subject 4> (appears in [Shot 1], [Shot 2]): fully_preserved - the cabin layout, seat arrangement, cool white overhead lighting, daylight at the window, and empty adjacent seat are retained.
detailed_description:
The target video is live-action and cinematic, with cool white cabin lighting and a soft daylight edge from the window.
[Shot 1] An 85mm-equivalent medium-close profile of <Subject 2> in the first-class cabin of <Subject 4>, the camera positioned about forty-five degrees off his right front at eye level, framing him from the chest up on the right of frame with eyeline space toward the window on the left. High-altitude daylight from the window traces a soft rim along his cheek and the edge of the lenses of <Subject 3>, while the cabin depth behind him falls into shallow cool-white defocus. The camera holds completely static. For the first eight tenths of a second he remains exactly as established: profile toward the window, eyelids lowered, lips closed with no smile, right thumb motionless on the armrest leather, left hand on the opposite armrest, torso reclined. He then draws a shallow, nearly silent nasal breath and his chest lifts once, very slightly. Hou Longtao, a twenty-three-year-old Beijing man with a low mid-range voice, solid but unforced chest resonance, a clean timbre carrying a thin layer of huskiness, standard Beijing pronunciation with faint natural erhua, crisp consonants, a moderately slow pace with real breath pauses, and a habit of letting sentence endings drop with an offhand finality (S1) says in an off-screen voiceover, with the breath releasing before the pitch lifts and a slight hold on the words naming the destination: <d>[Chinese] 让他派我回北京的分公司做投资部的经理。</d> while his lips remain completely closed. From just after the line begins, his head rotates extremely slowly away from the window toward center, reaching a three-quarter front profile as the monologue ends. In the remaining seconds his eyelids begin to lift, his right thumb leaves the leather, and his palm settles flat on the armrest.
[Shot 2] At 00:05.400, on the instant his head arrives near center and his eyelids lift, the shot cuts to a 50mm-equivalent frontal close shot, the camera directly in front of him at eye level, framing him from the shoulder line up, centered. Cool white overhead light falls across his forehead and the lenses of <Subject 3>, while window daylight enters from frame left and lays a soft edge along his left cheek; the forward cabin depth stays defocused. The camera remains static. He completes the last few degrees of the turn, presses his back flat against the seat and sits upright, his shoulder line levels, and both hands settle flat on the armrests. His eyelids open fully and his gaze comes to rest level on the seatback ahead of him, with one small refocusing settle in the pupils, as though confirming a matter already arranged and only waiting to land. His breath loosens first, then a very faint smile rises at the corners of his mouth; the lips stay closed and the smile reaches only the mouth corners and lower eyelids without spreading. That faint smile is held through the final seconds with no further movement and his gaze never leaves the seatback, ending on a stable frontal seated pose.
overall_soundscape:
A low-frequency air-conditioning hum and the steady airflow of level cruise continue without variation throughout. One extremely light nasal inhale occurs before the monologue, and a faint fabric scrape against the seat accompanies him sitting upright. No passenger conversation, announcements, or footsteps are present.
non_diegetic_music:
N/A
