A 版画面提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the twenty-three-year-old man seated alone in the first-class window seat; follow the appearance, hairstyle, and wardrobe given in <Subject 2>.
<Subject 3> is the black-rimmed glasses worn by <Subject 2>; follow the appearance given in <Subject 3>. They stay on his face for the entire unit.
<Subject 4> is the first-class cabin of flight CA984; follow the seat layout, materials, and lighting given in <Subject 4>.
summary:
[keyframe completion + reference generation] The target video continues directly from <Subject 1>. In a 15-second, three-shot beat inside <Subject 4>, <Subject 2>, wearing <Subject 3>, lets his level gaze relax, lets a smile spread from his mouth corners to his eyes, and finally leans back into the seat with a long exhale.
retention_analysis:
<Subject 1> ([Shot 1] opening state): fully_preserved - the upright posture against the seat back, both hands laid flat on the armrests, lifted eyelids with a level gaze on the seat back ahead, the very faint closed-lip smile, the worn glasses, the daylight through the oval window, the cool overhead cabin light, and the empty adjacent seat are all carried over unchanged into the first frame.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - his identity, face, hairstyle, and wardrobe follow the reference without alteration; only his expression, breathing, and posture change.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the black-rimmed glasses remain on his face throughout, never adjusted or removed.
<Subject 4> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the first-class seat layout, surrounding cabin structure, cool overhead lighting, and window daylight are retained; the neighbouring seat stays empty.
detailed_description:
The target video is live-action and cinematic, lit by cool white overhead cabin light with soft daylight entering through the oval window. No subtitles, captions, titles, speech bubbles, or other readable on-screen text appear at any point.
[Shot 1] A static eye-level medium shot taken from the forward-right of the seat frames <Subject 2> from the upper chest up. He sits screen left, with the window and its daylight beyond his left shoulder in the right depth of frame. He begins exactly in the state established by <Subject 1>: back against the seat, sitting upright, both hands flat on the armrests, eyelids lifted, gaze level on the seat back ahead, a very faint closed-lip smile held, wearing <Subject 3>. At 00:00.600 his shoulders settle a few millimetres on a quiet inhale. At 00:01.100 the fixed level gaze loosens and his pupils drift slightly downward and toward the window, turning from focused to unfocused.
[Shot 2] At 00:01.600, the shot cuts on that gaze release to an eye-level close shot from the same forward-right side, framed from the upper chest up with him still screen left and breathing room toward the window on screen right. An 85mm shallow-focus look keeps both eyes and the lenses of <Subject 3> sharp while the cabin behind him softens. The camera holds still, then pushes in with small amplitude at slow speed from 00:06.000 before stopping at 00:12.800. He does not speak at any point; his lips remain completely closed and his jaw never opens. The performance develops in silence: at 00:02.600 his right eyebrow lifts about two millimetres; at 00:05.000 the faint smile widens at both corners without showing teeth; at 00:07.400 he gives one small confirming nod; at 00:10.000 his lower eyelids push up and fine creases appear at the outer corners as the smile finally reaches his eyes; at 00:12.000 he narrows his eyes slightly, his gaze still resting on empty space ahead. His torso stays upright and his hands stay on the armrests for the whole shot. The shot ends at 00:13.100 with that smiling, unfocused expression still held.
[Shot 3] At 00:13.100, the shot cuts to a static eye-level medium shot from the same forward-right position, opened one step wider to the waistline so the smile, the shoulder line, and both hands on the armrests are visible together. He is already leaning back as the shot begins: his shoulder blades meet the seat back at 00:13.100, his shoulders visibly drop and his whole body sinks into the seat at 00:13.400, and a long audible exhale leaves him at 00:13.600 as his chest settles. His hands loosen from pressing flat into resting lightly on the armrests with the fingers slightly apart. The smile opens fully, the creases at his eye corners remain, and his lips stay closed. From 00:14.000 all movement stops and he holds the relaxed, openly pleased pose facing forward against the seat back through 00:15.000.
overall_soundscape:
Continuous first-class cabin ambience runs through the whole video: a steady low-frequency air-conditioning hiss with the muffled drone of cruising engines underneath and faint distant rustling of fabric and small objects elsewhere in the cabin, with no one speaking at any point. The ambience carries across the cuts without interruption. One clear but restrained long exhale occurs at 00:13.600, immediately followed by the soft creak of leather and upholstery compressing as he settles back into the seat.
non_diegetic_music:
N/A
B 版独白提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the twenty-three-year-old man seated alone in the first-class window seat; follow the appearance, hairstyle, and wardrobe given in <Subject 2>.
<Subject 3> is the black-rimmed glasses worn by <Subject 2>; follow the appearance given in <Subject 3>. They stay on his face for the entire unit.
<Subject 4> is the first-class cabin of flight CA984; follow the seat layout, materials, and lighting given in <Subject 4>.
summary:
[keyframe completion + reference generation] The target video continues directly from <Subject 1>. In a 15-second, three-shot beat inside <Subject 4>, <Subject 2> (S1), wearing <Subject 3>, lets his level gaze relax, lets a smile spread from his mouth corners to his eyes while an internal monologue runs as off-screen voiceover, and finally leans back into the seat with a long exhale.
retention_analysis:
<Subject 1> ([Shot 1] opening state): fully_preserved - the upright posture against the seat back, both hands laid flat on the armrests, lifted eyelids with a level gaze on the seat back ahead, the very faint closed-lip smile, the worn glasses, the daylight through the oval window, the cool overhead cabin light, and the empty adjacent seat are all carried over unchanged into the first frame.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - his identity, face, hairstyle, and wardrobe follow the reference without alteration; only his expression, breathing, and posture change.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the black-rimmed glasses remain on his face throughout, never adjusted or removed.
<Subject 4> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the first-class seat layout, surrounding cabin structure, cool overhead lighting, and window daylight are retained; the neighbouring seat stays empty.
detailed_description:
The target video is live-action and cinematic, lit by cool white overhead cabin light with soft daylight entering through the oval window. No subtitles, captions, titles, speech bubbles, or other readable on-screen text appear at any point.
[Shot 1] A static eye-level medium shot taken from the forward-right of the seat frames <Subject 2> from the upper chest up. He sits screen left, with the window and its daylight beyond his left shoulder in the right depth of frame. He begins exactly in the state established by <Subject 1>: back against the seat, sitting upright, both hands flat on the armrests, eyelids lifted, gaze level on the seat back ahead, a very faint closed-lip smile held, wearing <Subject 3>. At 00:00.600 his shoulders settle a few millimetres on a quiet inhale. At 00:01.100 the fixed level gaze loosens and his pupils drift slightly downward and toward the window, turning from focused to unfocused.
[Shot 2] At 00:01.600, the shot cuts on that gaze release to an eye-level close shot from the same forward-right side, framed from the upper chest up with him still screen left and breathing room toward the window on screen right. An 85mm shallow-focus look keeps both eyes and the lenses of <Subject 3> sharp while the cabin behind him softens. The camera holds still, then pushes in with small amplitude at slow speed from 00:06.000 before stopping at 00:12.800. At 00:01.900 <Subject 2> (S1), a twenty-three-year-old Beijing man with a mid-low, chest-supported voice that is clean with a thin husky edge, light natural Beijing colour, crisp but unforced consonants, a moderate-to-slow pace with real silent breaths between phrases, and sentence endings that settle downward, speaking to himself as if quietly confirming something already achieved, with the breath loosening before the pitch lifts when the pleasure surfaces, says in an off-screen voiceover, <d>[Chinese] 终于可以衣锦还乡，又能和那些从小一起长大的狐朋狗友打天下了，怎叫我能不喜上眉梢呢？</d> while his lips remain completely closed and his jaw never opens. The performance develops with the voice: at 00:02.600 his right eyebrow lifts about two millimetres; at 00:05.000 the faint smile widens at both corners without showing teeth; at 00:07.400 he gives one small confirming nod; at 00:10.000 his lower eyelids push up and fine creases appear at the outer corners as the smile finally reaches his eyes; at 00:12.000 he narrows his eyes slightly, his gaze still resting on empty space ahead. His torso stays upright and his hands stay on the armrests for the whole shot. The line ends at 00:13.100.
[Shot 3] At 00:13.100, the shot cuts on the final syllable to a static eye-level medium shot from the same forward-right position, opened one step wider to the waistline so the smile, the shoulder line, and both hands on the armrests are visible together. He is already leaning back as the shot begins: his shoulder blades meet the seat back at 00:13.100, his shoulders visibly drop and his whole body sinks into the seat at 00:13.400, and a long audible exhale leaves him at 00:13.600 as his chest settles. His hands loosen from pressing flat into resting lightly on the armrests with the fingers slightly apart. The smile opens fully, the creases at his eye corners remain, and his lips stay closed. From 00:14.000 all movement stops and he holds the relaxed, openly pleased pose facing forward against the seat back through 00:15.000.
overall_soundscape:
Continuous first-class cabin ambience runs through the whole video: a steady low-frequency air-conditioning hiss with the muffled drone of cruising engines underneath and faint distant rustling of fabric and small objects elsewhere in the cabin, with no other passengers speaking. The ambience carries across the cuts without interruption. One clear but restrained long exhale occurs at 00:13.600, immediately followed by the soft creak of leather and upholstery compressing as he settles back into the seat.
non_diegetic_music:
N/A
