A 版画面提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the Chinese man seated in the window seat on the right side of the frame; follow the appearance and wardrobe given in <Subject 2>.
<Subject 3> is Zhang Yuqian, the Chinese young woman who takes the adjacent aisle-side seat; follow the appearance and wardrobe given in <Subject 3>, with the script-specified details that her shoulder-length hair is dyed golden blonde, she wears a short crop top that leaves her navel exposed, a very short white skirt, and high-heeled sandals, and she carries a shoulder bag.
<Subject 4> is the black-rimmed eyeglasses worn by <Subject 2>; follow the appearance given in <Subject 4>.
<Subject 5> is the first-class cabin of flight CA984; follow the layout, seating arrangement and lighting given in <Subject 5>.
summary:
[keyframe completion + reference generation] The target video continues from <Subject 1> inside <Subject 5>. <Subject 3> walks up the aisle and sits down in the empty seat beside <Subject 2>, who turns his head to look at her; the two meet eyes and exchange a brief, polite smile across a three-shot exchange with no spoken dialogue.
retention_analysis:
<Subject 1> ([Shot 1] opening state): fully_preserved - the seated posture, relaxed shoulders, forward-facing smile, hands resting on both armrests, worn black-rimmed glasses, cool white overhead light, daylight through the window and the still-empty adjacent seat are carried directly into the first frame.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - his identity, facial features and wardrobe follow the reference without alteration.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - her identity, facial features and wardrobe follow the reference, including the golden blonde shoulder-length hair, exposed navel, short white skirt and high-heeled sandals described in the script.
<Subject 4> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the glasses remain on his face throughout the clip and are never removed or adjusted.
<Subject 5> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the cabin layout, seat arrangement and lighting follow the reference.
detailed_description:
The target video is live-action and cinematic, with cool white cabin lighting, bright daylight entering through the window, and a restrained, naturalistic color palette.
[Shot 1] A medium shot taken at slightly below shoulder height along the oblique axis of the cabin, camera static. On the right of the frame, <Subject 2> leans back against his seat exactly as in <Subject 1>, face turned forward with a visible smile, both hands resting loosely on the armrests, wearing <Subject 4>. On the left are the empty aisle-side seat and the aisle beyond it, which hold the focus. At 00:00.600, a figure enters the left edge of the frame from the depth of the aisle, accompanied by two light, crisp heel strikes on the floor. At 00:01.400, <Subject 3> turns side-on into the seat area, her golden blonde shoulder-length hair swinging past her shoulder, sets her shoulder bag down by her feet and steadies herself briefly on the seat back. At 00:02.600, she bends her knees and sits into the left-hand seat; the hem of her short white skirt swings lightly with the motion, the lower edge of her crop top rides up and leaves her navel exposed, and she settles facing forward with her hands resting naturally on her thighs. At 00:03.400, her shoulders drop once and her seated posture becomes stable.
[Shot 2] At 00:03.600, cutting on the instant her shoulders settle, the shot cuts to a close over-the-shoulder view from behind <Subject 3>'s left shoulder at eye level. Her shoulder line and a strand of golden blonde hair blur into a warm foreground mass on the left, while the right two thirds of the frame holds the sharp face of <Subject 2>, with focus on his eyes. At 00:03.800, his pupils shift first, away from the forward direction. At 00:04.300, his head follows, turning about thirty degrees to his left until his gaze lands on the person beside him, accompanied by a very faint rustle of fabric against the seat back. At 00:05.000, his eyebrows lift slightly, the self-satisfied smile already on his face contracts for a moment and resolves into a restrained, polite one, and his lower eyelids tighten gently. At 00:06.300, he dips his chin almost imperceptibly in greeting. At 00:07.200, his gaze remains on her face and the smile holds without change.
[Shot 3] At 00:07.400, cutting on the moment his gaze steadies after the nod, the shot cuts to the reverse close over-the-shoulder view from behind <Subject 2>'s right shoulder at eye level. His shoulder line and the temple arm of <Subject 4> blur in the right foreground, while the sharp face of <Subject 3> occupies the left of the frame, backed by the daylight coming through the cabin window; focus rests on her eyes. At 00:07.600, she registers the gaze from her right and turns her face slightly toward him until their eyes meet. At 00:08.400, the corners of her mouth draw outward into a brief polite smile without showing teeth, and her eyes curve with it. At 00:09.600, she looks away first, turning back to face forward, the smile not yet fully gone from her mouth. At 00:10.400, the camera pushes in with small amplitude at slow speed, tightening gently on her profile and shoulder line. For the final second the frame holds steady: <Subject 3> faces forward with her head turned slightly to her right, golden blonde hair over her shoulders, high-heeled sandals on the floor and her bag at her feet, while the right foreground still carries <Subject 2>'s shoulder, his head still turned left, the residue of the smile still on his mouth and both hands still on the armrests. Neither character speaks at any point in the clip.
overall_soundscape:
A continuous low-frequency cabin air-conditioning hum runs beneath the entire clip. Two crisp heel strikes approach from the depth of the aisle starting at 00:00.600, followed by a brief friction of a bag strap and the rustle of clothing. The seat cushion compresses with a short muffled sound as she sits, after which skirt fabric brushes lightly against the upholstery, and a very faint rustle of cloth accompanies the man's head turn. Far off, indistinct passenger movement and luggage handling remain too low to be intelligible.
non_diegetic_music:
N/A
