A 版画面提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the male passenger in the right-hand first-class seat; follow the appearance and wardrobe given in <Subject 2>.
<Subject 3> is Zhang Yuqian, the young woman in the adjacent left-hand seat; follow the appearance and wardrobe given in <Subject 3>. The script specifies her golden-blonde shoulder-length hair, a midriff-baring tank top, and a short white skirt.
<Subject 4> is the black-rimmed pair of eyeglasses worn by Hou Longtao; follow the design given in <Subject 4>.
<Subject 5> is the first-class cabin of flight CA984; follow the seat layout, materials, and lighting given in <Subject 5>.
summary:
[reference generation] In the first-class cabin of flight CA984 during level daytime flight, <Subject 2> turns toward the neighbouring seat and introduces himself to <Subject 3>, who turns her face toward him to listen, after which he hands the conversation back by asking her surname. Three shots, 14 seconds, no on-screen text.
retention_analysis:
<Subject 1> (opening state of [Shot 1]): partially_preserved - only the seated positions, body orientations, eyeline, hand placement, and cabin light state at the start of the unit are carried over; the previous framing is not reproduced.
<Subject 2> (appears in [Shot 1], [Shot 3], partially in [Shot 2]): fully_preserved - his facial identity, hairstyle, and clothing follow the reference exactly.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - her facial identity, golden-blonde shoulder-length hair, midriff-baring tank top, and short white skirt follow the reference exactly.
<Subject 4> (appears in [Shot 1], [Shot 3]): fully_preserved - the black-rimmed glasses remain on Hou Longtao's face throughout, matching the reference design.
<Subject 5> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the first-class seat arrangement, cabin materials, window light, and cool white overhead lighting follow the reference.
detailed_description:
The target video is live-action and cinematic, shot inside an airliner first-class cabin in even daytime light. No subtitles, captions, titles, dialogue text, speech bubbles, or other readable on-screen text appear at any point; dialogue exists only as character audio.
[Shot 1] A static eye-level two-shot from slightly right of the pair, roughly a 50mm field of view spanning both seats inside <Subject 5>. <Subject 2>, wearing <Subject 4>, sits at the right quarter of the frame already turned to his left, his right shoulder off the seat back and his right hand lifted slightly off the armrest. <Subject 3> sits at the left of the frame facing straight forward, hands flat on her knees, the armrest gap held between them. Focus rests on his face; she stays marginally soft in the same plane while the cabin wall and the seat backs ahead blur into even cool white. For the first nine tenths of a second he holds the turn, keeps his gaze on her face, draws a shallow breath, and lets his mouth corners loosen. At 00:00.900 his lips part and remain clearly readable. <Subject 2> (S1) speaks in a twenty-three-year-old Beijing man's low-mid register with solid but unforced chest resonance, a clean timbre carrying a thin veil of huskiness, a standard Beijing accent with light natural erhua, crisp articulation without strain, a medium-low conversational volume, a slightly unhurried pace, silent shallow intakes, and sentence endings that settle downward with an offhand finish; the warmth loosens his breath before it lifts his pitch. He is offering himself to a complete stranger, steady and unpushy, neither crowding her nor ingratiating himself, and he lets a real breath pause fall after the invitation before releasing the rest more loosely. He says: <d>[Chinese] 小姐，我叫侯龙涛，咱们认识一下吧，十几小时的旅程，有个人聊天儿会好过一点儿。</d> The line runs from 00:01.000 to 00:05.100; on the invitation his right hand opens a few centimetres toward her and then settles back onto the armrest. From 00:05.100 to 00:05.600 his lips close, his gaze stays on her, and he waits.
[Shot 2] At 00:05.600, on his hand settling and her shoulder beginning to rotate, the shot cuts to a close-up of <Subject 3> from her front right at her own eye height, roughly an 85mm shallow-focus framing of her head and shoulder line. She sits at the left of the frame with eyeline space open to the right, where only a small out-of-focus wedge of his shoulder stays at the frame edge. From 00:05.600 to 00:06.600 her pupils move first, sliding from straight ahead toward her right, and only then do her chin and head follow about forty degrees, the ends of her golden-blonde hair brushing her collarbone. From 00:06.600 to 00:08.000 her gaze lands on his face and stops, her brow releases, and her lower eyelids lift a fraction as she confirms the words were meant for her. From 00:08.000 to 00:09.800 her lips part slightly and close again without sound, her hands stay flat on her knees, and the fingertips of her left hand tighten a little against the skirt fabric.
[Shot 3] At 00:09.800, with her gaze settled and before she answers, the shot cuts back to a close-up of <Subject 2> from his front left at his eye height, roughly an 85mm shallow-focus three-quarter framing. He sits at the right of the frame with eyeline space open to the left, the cabin wall and window daylight dissolving into soft cool white behind him; <Subject 4> remains on his face. From 00:09.800 to 00:10.900 he looks at the face now turned toward him, the smile at his mouth corners deepening slightly, and draws a shallow breath. At 00:10.900 his lips part, clearly readable. In the same voice he makes the question lighter and shorter, letting the ending tick upward in the Beijing manner and immediately settle, handing the conversation over rather than pressing her. He says: <d>[Chinese] 您贵姓啊？</d> The line runs from 00:11.000 to 00:12.600. From 00:12.600 to 00:14.000 his lips close, the smile holds, his gaze stays on her face without drifting, and his right hand rests quietly on the armrest as he holds this waiting posture to the final frame.
overall_soundscape:
Steady first-class cabin air-conditioning hiss and low airframe rumble continue through the entire video, with a faint rustle of other passengers' clothing and one brief metallic tap from a distant service cart. A shallow, almost silent intake precedes his first line, and the voice sits clearly above the floor tone. Her hair brushes against the tank-top fabric as she turns, and her fingertips produce a very light fabric friction against the skirt. After the second line only the air-conditioning tone remains, with no new sound entering.
non_diegetic_music:
N/A
